31 May 2008
A Darker Sunset and more 
John Metcalfe's long-awaited new album 'A Darker Sunset' will definitely be out later this year on The Big Chill Recordings. In the meantime here's a quick rundown of what John and also The Duke Quartet are up to this Summer.

John is composing a new 10-minute piece for guitarist Tom Kurstens and his G+ ensemble for performance at the South Bank Centre in July.

On 6 June 2008, John will be composing live with Simon Hale, The Bays and members of Norway's Bit20 ensemble in Birmingham's Custard Factory as part of the Integra Festival, a 3-year project led by the Birmingham Conservatoire in the UK and part financed by Culture 2000. Show starts at 7.30.

The Duke Quartet will be in residence at the Dartington Summer School from 9-16 August 2008.

The Dukes will be closing Brighton's Soundwaves Festival performing Bartok String Quartet No 6, Part Fratres, Philip Venables String Quartet and a new work by Rolf Hind. The concert takes place in the Pavilion Theatre on Sunday 29 June 2008 at 7.30pm.



Post a Comment

<< Home

- - - -

Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column