10 May 2018
FACT 76 The Jazz Defektors Film
The Jazz Defektors Film was an eight minute video which in its original edit was intended to be released on with a "FACT 76" title card. That never happened but the film was released as part of the FACT 137 Shorts compilation video under the title 'Hanki Panki' (but without the FACT 76 title). A YouTube clip includes the FAC 76 catalogue number and uses the spelling "JAZZ DEFECTORS".
This handwritten outline comes from the AHW archive at MSI Manchester and represents a pretty faithful description of the eventual video. It can be briefly summarised as three groups assembling in different areas of Manchester before congregating at FAC 51 The Hacienda for a "dance-off" in a West Side Story homage.
Transcript
FAC 79 Black + White
VIDEO JAZZ DEFECTORS
Shirley Scott
Live ACR Tape --> get to them (Simon)
STORY - West Side
Wanderers v Warriors
3 Groups
3 Areas
Their Territory
SALTS - Whalley Range
Wayne's Firm - Flyover
Neil's Team - HULME
SALTS / SWAPES into CAR - JAG
TURNS ON RADIO
WAYNE'S FIRM SHOPLIFTING
NEIL'S TEAM - steal burglar's money
SALTS TEAM molests 2 Girls
--
The "FAC 79" numbering on this note is incorrect or may have just been a typo. FAC 79 is allocated to Quando Quango's Love Tempo. FACX 79 is the 1979 Christmas present (a set of earplugs in a small red box). The Jag referred to here was Tony Wilson's Mark II Jaguar. Shirley Scott originally performed this piece as "Hanky Panky" in 1973.
Labels: back_in_the_cellar, FAC51_The_Hacienda, Jazz_Defektors, Tony_Wilson, video
12 Jun 2013
A Certain Ratio live @ Plato's Liverpool '81
Rare original gig poster courtesy of Mark @ The Record Peddler
--
Wednesday 9th September
A Certain Ratio
The Jazz Defectors (sic)
Swamp Children
At Plato's, Fraser St
Labels: A_Certain_Ratio, Jazz_Defektors, poster, Swamp_Children
21 Oct 2005
Swing Out Sister live at The Jazz Cafe
Last night the ten piece Swing Out Sister touring band made a return visit to the Jazz Cafe in Camden, London for the first of a trio of shows. Swing Out, the "internationally renowned jazz-pop duo of 'Breakout' fame" according to the blurb is essentially singer Corinne Drewery and Andy Connell (ex-ACR). These days, Andy prefers to sit out the show itself but he does provide musical entertainment in the form of his DJ set which he runs from his laptop. Corinne herself occasionally DJs, most recently at the Bethnal Green Working Men's Club (according to Corinne on the official website this is "sometimes like a Fellini film, sometimes like a crazy 60's art school party"), but she prefers vinyl to computers.
The Factory connection doesn't stop there either. Corinne sang on ACR's 'Bootsy' from 'Force', around the time when Swing Out was just starting. Percussionist Chris Manis and drummer Mikey Wilson were both in The Jazz Defektors. Derek Johnson (aka Juneroy), brother of Donald (ACR) and Barry (Sweet Sensation), plays bass and also, on one track drums and furthermore toasts like an old pro on another. A three-man brass section (Noel Langley - trumpet, Pete Beachill - trombone, Gary Plumley - saxophone), Dan Swana (keyboards), Tim Cansfield (guitar) and additional vocalists Sylvia Mason-James and Derek Green complete the live line-up.
The setlist combined material from their debut album 'It's Better To Travel' ('Surrender', 'Twilight World' and a gloriously slowed down version of 'Breakout' as the last encore) with selections from their many other studio albums. Several tracks become extended freeform jazz-funk workouts showing off the skills of what Corinne rightly calls her "badass band".
Swing Out Sister play The Jazz Cafe tonight and tomorrow and are then at venues around the UK.
www.jazzcafe.co.uk
www.swingoutsister.com
The Factory connection doesn't stop there either. Corinne sang on ACR's 'Bootsy' from 'Force', around the time when Swing Out was just starting. Percussionist Chris Manis and drummer Mikey Wilson were both in The Jazz Defektors. Derek Johnson (aka Juneroy), brother of Donald (ACR) and Barry (Sweet Sensation), plays bass and also, on one track drums and furthermore toasts like an old pro on another. A three-man brass section (Noel Langley - trumpet, Pete Beachill - trombone, Gary Plumley - saxophone), Dan Swana (keyboards), Tim Cansfield (guitar) and additional vocalists Sylvia Mason-James and Derek Green complete the live line-up.
The setlist combined material from their debut album 'It's Better To Travel' ('Surrender', 'Twilight World' and a gloriously slowed down version of 'Breakout' as the last encore) with selections from their many other studio albums. Several tracks become extended freeform jazz-funk workouts showing off the skills of what Corinne rightly calls her "badass band".
Swing Out Sister play The Jazz Cafe tonight and tomorrow and are then at venues around the UK.
www.jazzcafe.co.uk
www.swingoutsister.com
Labels: A_Certain_Ratio, Derek_Johnson, Jazz_Defektors, Swing_Out_Sister
11 Apr 2005
That Swing Out Sister line-up in full
The current Swing Out Sister UK tour, which has included 3 nights at the Jazz Cafe in London and one at the Life Cafe in Manchester, features a kind of Factory All-Stars band: Corinne Drewery (one-time ACR guest singer, vocals), Andy Connell (ex-ACR, keyboards / programming), Derek Johnson (ex-52nd Street & Quando Quango, bass), Chris Manas (ex-Jazz Defektors & Kalima, percussion), Mikey Wilson (ex-Jazz Defektors & Texas, drums).
Labels: 52nd_Street, A_Certain_Ratio, Jazz_Defektors, Kalima, Quando_Quango
2 Dec 2003
May I have the envelope please...
And now, the moment you've all been waiting for, the result of the Cerysmatic Factory Top Ten Competition. In traditional fashion the runner up is announced first and it is Mike Stein from the USA (who wins a special consolation prize):
My Top 10 (for what its worth...)
1. FAC 183 - New Order "True Faith": New Order's highest chart position at the time and still one of their best pop singles. Peter Saville's artwork for both the standard and remix 12"s remains his best. Enough said.
2. FAC 34/FACT 35 - A Certain Ratio and ESG recording with Hannett in New Jersey: Factory goes to New York for the first time and records two seminal dance punk records across the river at EARS in New Jersey with Martin Hannett [->] at the knobs. One of the resulting ESG recordings would go on to become a Larry Levan favorite ("Moody") and another one of the most sampled records in hip-hop history ("UFO"). The equally groundbreaking ACR LP ("To Each") would forever be shrouded in myth due to the resetting of Hannett's mixing board settings by a studio engineer.
3. FAC 126 - "Alan Goes to Moscow": In true Factory fashion, an absolutely beautiful poster commemorating absolutely nothing. Alan's trip was a failure and it took another five years for Factory Classical to become established. Nevertheless, the poster works quite well in my living room!
4. FACT 275 - New Order "Technique" artwork: Saville goes Warhol to bring us some of his brightest and most memorable sleeves. The LP artwork, along with the "Fine Time," "Round & round," and "Run 2" singles were Saville's hottest streak for New Order.
5. FAC 242 - Happy Mondays "Madchester" EP: Hallelujah indeed! The Madchester frenzy begins leading to two years of NME front covers on the Mondays and Roses, along with countless MTV specials and magazine articles exploiting the scene surrounding the Hacienda. The single not only proved Hannett's continued viability, but launched the still on-going careers of Paul Oakenfold and Andy Weatherall, who produced the remixes for FAC 242R.
6. FACT 14 - The Durutti Column "The Return of...": Factory's way of "killing us softly with his song." The LP was an ahead of its time paradox of punk anarchy and Vini's tranquil guitar all wrapped in sandpaper. John Lydon threatened to destroy your record collection with a sandpaper sleeve but instead opted for a metal canister. In a Wilsonesque act of situationist fandom, Factory actually executed the concept.
7. FACT 75 - New Order "Power Corruption and Lies" artwork: Saville moves a step forward from his Graphica Industria phase to juxtapose Fantin-Latour's "Roses," a nod to 60s flower power, with Saville's self-invented color coded numbering schema for the computer age. The result was the perfect sleeve for New Order's movement (Movement - get it?) to sequencer driven pop. Saville's color coding concept was also brilliantly carried on New Order's associated "Blue Monday" (FAC 73) and "Confusion" (FAC 93) singles as well as Section 25's "From the Hip" LP (FACT 90).
8. FACT 210 - Cath Carroll "England Made Me": An ashamedly underrated LP. An eclectic mix of Cath's soulful voice with dance pop, Brazilian rhythms, and a touch of Steve Albini. Like many Factory productions, it was expensive to make and didn't sell well!
9. FACT 250 / FAC 213 - Joy Division "Substance" and "Atmosphere" artwork: It is extremely difficult to limit the number of Joy Division / New Order sleeves from this list, but Saville's work for the "Substance" retrospective and its accompanying single "Atmosphere" was again timeless. The posters for the album and single incorporating the Jan Van Munster sculptures are particularly stunning. As always, Saville's artwork would not be as special were it not backed with some of the best pop gems of the last century.
10. FAC 331 - Ben Kelly board room table: Quite simply an ultra modern and expensive table that the Mondays broke! One of Factory's greatest examples of hedonism and corporate waste - well before the dot com boom. It also made for a great scene in "24 Hour Party People" with Paddy Considine (playing Rob Gretton) trying to strangle Steve Coogan (playing Tony Wilson).
Thanks very much to Mike. But now, the winner – Andrew James from Blighty:
My 10 — Not a top 10, 'cos no way is 'Can't Afford To' better than 'Flight', but 10 good reasons to like the label.
New Order Play At Home. Long before Big Brother and Wife Swap, Channel 4 was known for innovative programming, and once a week in late 1983 (?) let various groups loose with cameras and total editorial control. Siouxsie and the Banshees created a surreal homage to Alice In Wonderland, Level 42 waxed lyrical about the Isle of Wight, and New Order chatted to their mates about Factory in this one hour documentary. Includes priceless footage of a naked AHW explaining "praxis" to a fully clothed Gillian Gilbert — in the bath — and Bruce Mitchell in the Hacienda bar, regaling sundry Fac artists with tales of Wilson’s parsimony.
Fact 204 The Guitar and Other Machines Durutti Column Martin Hannett and Vini produced some sublime moments to be sure, but for me, DC’s greatest producer was Stephen Street, and this was the best of their collaborations. Their "White Rabbit" from around this period is equally good, but you have to get the original 12" version on The City Of Our Lady single, and not the watered-down mix tacked on to the Domo Arigato reissue.
Fac 92 Reach For Love Marcel King Why wasn’t Marcel King a huge star?
Fact 210 England Made Me Cath Carrol They spent zillions making it, then only had 47p left to promote it. An overlooked masterpiece.
Fac 104 Tube special Madonna, Martin Fry, plus the Factory All-Stars. And Leslie Ash, post-Quadrophenia, pre-collagen injections, if I remember correctly.
Fac 201 Dry All the style bars of the 90s owe Ben Kelly.
Fac 52 Waterline ACR ACR: always the bridesmaids, never the bride. This was 20 years ahead of its time. And quite a few months before Blue Monday.
Fac 118 Can’t Afford To 52nd Street. Though often accused of being raincoat-wearing miserablists, Factory were always diverse, and never more so than with 52nd Street, who were closer to Five Star than Fad Gadget. Diane Charlemagne later enjoyed success with The Key and sang backing vocals for Goldie. If your friends tell you the label was po-faced, show 'em the video for this.
Fact 219 Flyaway Kalima, like 52nd Street, are rarely mentioned on the Faclist. Am I allowed to say "overlooked" again? For me, though, groups like Kalima and the Jazz Defektors (and John Dowie and Steve Martland) are what make Factory more interesting than, say, Sarah and InTape. This compilation is a good place to start.
Factus 17 Young, Popular and Sexy Various Artists Michael Shamberg's finest moment (and pretty much the Factus swansong). Includes Shark Vegas' fantastic "Pretenders of Love". And "No New Order".
Nice one Andrew. Your Cerysmatic Factory mousemat is on its way.
My Top 10 (for what its worth...)
1. FAC 183 - New Order "True Faith": New Order's highest chart position at the time and still one of their best pop singles. Peter Saville's artwork for both the standard and remix 12"s remains his best. Enough said.
2. FAC 34/FACT 35 - A Certain Ratio and ESG recording with Hannett in New Jersey: Factory goes to New York for the first time and records two seminal dance punk records across the river at EARS in New Jersey with Martin Hannett [->] at the knobs. One of the resulting ESG recordings would go on to become a Larry Levan favorite ("Moody") and another one of the most sampled records in hip-hop history ("UFO"). The equally groundbreaking ACR LP ("To Each") would forever be shrouded in myth due to the resetting of Hannett's mixing board settings by a studio engineer.
3. FAC 126 - "Alan Goes to Moscow": In true Factory fashion, an absolutely beautiful poster commemorating absolutely nothing. Alan's trip was a failure and it took another five years for Factory Classical to become established. Nevertheless, the poster works quite well in my living room!
4. FACT 275 - New Order "Technique" artwork: Saville goes Warhol to bring us some of his brightest and most memorable sleeves. The LP artwork, along with the "Fine Time," "Round & round," and "Run 2" singles were Saville's hottest streak for New Order.
5. FAC 242 - Happy Mondays "Madchester" EP: Hallelujah indeed! The Madchester frenzy begins leading to two years of NME front covers on the Mondays and Roses, along with countless MTV specials and magazine articles exploiting the scene surrounding the Hacienda. The single not only proved Hannett's continued viability, but launched the still on-going careers of Paul Oakenfold and Andy Weatherall, who produced the remixes for FAC 242R.
6. FACT 14 - The Durutti Column "The Return of...": Factory's way of "killing us softly with his song." The LP was an ahead of its time paradox of punk anarchy and Vini's tranquil guitar all wrapped in sandpaper. John Lydon threatened to destroy your record collection with a sandpaper sleeve but instead opted for a metal canister. In a Wilsonesque act of situationist fandom, Factory actually executed the concept.
7. FACT 75 - New Order "Power Corruption and Lies" artwork: Saville moves a step forward from his Graphica Industria phase to juxtapose Fantin-Latour's "Roses," a nod to 60s flower power, with Saville's self-invented color coded numbering schema for the computer age. The result was the perfect sleeve for New Order's movement (Movement - get it?) to sequencer driven pop. Saville's color coding concept was also brilliantly carried on New Order's associated "Blue Monday" (FAC 73) and "Confusion" (FAC 93) singles as well as Section 25's "From the Hip" LP (FACT 90).
8. FACT 210 - Cath Carroll "England Made Me": An ashamedly underrated LP. An eclectic mix of Cath's soulful voice with dance pop, Brazilian rhythms, and a touch of Steve Albini. Like many Factory productions, it was expensive to make and didn't sell well!
9. FACT 250 / FAC 213 - Joy Division "Substance" and "Atmosphere" artwork: It is extremely difficult to limit the number of Joy Division / New Order sleeves from this list, but Saville's work for the "Substance" retrospective and its accompanying single "Atmosphere" was again timeless. The posters for the album and single incorporating the Jan Van Munster sculptures are particularly stunning. As always, Saville's artwork would not be as special were it not backed with some of the best pop gems of the last century.
10. FAC 331 - Ben Kelly board room table: Quite simply an ultra modern and expensive table that the Mondays broke! One of Factory's greatest examples of hedonism and corporate waste - well before the dot com boom. It also made for a great scene in "24 Hour Party People" with Paddy Considine (playing Rob Gretton) trying to strangle Steve Coogan (playing Tony Wilson).
Thanks very much to Mike. But now, the winner – Andrew James from Blighty:
My 10 — Not a top 10, 'cos no way is 'Can't Afford To' better than 'Flight', but 10 good reasons to like the label.
New Order Play At Home. Long before Big Brother and Wife Swap, Channel 4 was known for innovative programming, and once a week in late 1983 (?) let various groups loose with cameras and total editorial control. Siouxsie and the Banshees created a surreal homage to Alice In Wonderland, Level 42 waxed lyrical about the Isle of Wight, and New Order chatted to their mates about Factory in this one hour documentary. Includes priceless footage of a naked AHW explaining "praxis" to a fully clothed Gillian Gilbert — in the bath — and Bruce Mitchell in the Hacienda bar, regaling sundry Fac artists with tales of Wilson’s parsimony.
Fact 204 The Guitar and Other Machines Durutti Column Martin Hannett and Vini produced some sublime moments to be sure, but for me, DC’s greatest producer was Stephen Street, and this was the best of their collaborations. Their "White Rabbit" from around this period is equally good, but you have to get the original 12" version on The City Of Our Lady single, and not the watered-down mix tacked on to the Domo Arigato reissue.
Fac 92 Reach For Love Marcel King Why wasn’t Marcel King a huge star?
Fact 210 England Made Me Cath Carrol They spent zillions making it, then only had 47p left to promote it. An overlooked masterpiece.
Fac 104 Tube special Madonna, Martin Fry, plus the Factory All-Stars. And Leslie Ash, post-Quadrophenia, pre-collagen injections, if I remember correctly.
Fac 201 Dry All the style bars of the 90s owe Ben Kelly.
Fac 52 Waterline ACR ACR: always the bridesmaids, never the bride. This was 20 years ahead of its time. And quite a few months before Blue Monday.
Fac 118 Can’t Afford To 52nd Street. Though often accused of being raincoat-wearing miserablists, Factory were always diverse, and never more so than with 52nd Street, who were closer to Five Star than Fad Gadget. Diane Charlemagne later enjoyed success with The Key and sang backing vocals for Goldie. If your friends tell you the label was po-faced, show 'em the video for this.
Fact 219 Flyaway Kalima, like 52nd Street, are rarely mentioned on the Faclist. Am I allowed to say "overlooked" again? For me, though, groups like Kalima and the Jazz Defektors (and John Dowie and Steve Martland) are what make Factory more interesting than, say, Sarah and InTape. This compilation is a good place to start.
Factus 17 Young, Popular and Sexy Various Artists Michael Shamberg's finest moment (and pretty much the Factus swansong). Includes Shark Vegas' fantastic "Pretenders of Love". And "No New Order".
Nice one Andrew. Your Cerysmatic Factory mousemat is on its way.
Labels: 52nd_Street, A_Certain_Ratio, Ben_Kelly, ESG, Factory_Classical, Happy_Mondays, Jazz_Defektors, John_Dowie, Joy_Division, Kalima, labels, Marcel_King, New_Order, Shark_Vegas, The_Durutti_Column, Tony_Wilson
20 Oct 2003
Defekted
The Jazz Defektors were one of those Factory bands who typified the label's diverse and eclectic signing policy. They were a multi-person jazz dance collective whose eponymous (and only) Factory album was produced by Paul Weller and Mick Talbot from the Style Council and released in 1988. They were featured dancing in the Julien Temple movie 'Absolute Beginners' as they were in the Factory video compilation Fact 137 Shorts on the track 'Hanki Panki'.
Various members of the group are seen on the streets of Manchester, dancing to a busker's music (before stealing his earnings!) and then getting chased down the Rochdale Canal round the back of the Haçienda before having a 'dance off' on the hallowed Haçienda dancefloor itself. A few vidcaps from this video are presented here.
Various members of the group are seen on the streets of Manchester, dancing to a busker's music (before stealing his earnings!) and then getting chased down the Rochdale Canal round the back of the Haçienda before having a 'dance off' on the hallowed Haçienda dancefloor itself. A few vidcaps from this video are presented here.
Labels: Jazz_Defektors
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