16 Apr 2004
Where is the meaning, where is the love? 
North-West Soul the long-awaited new album by The Royal Family and the Poor ("on this occasion Mike Keane and The Discarnate Angels of the Revolution"), has winged its way to Cerysmatic Factory (thanks Mike!). Recorded between July 2000 and January 2004 at Gaia Studio, Liverpool, England, and released by LTM, it features 13 new songs.

Early favourites include the Daria-inspired 'Sick Sad World' and the atmospheric 'Tell-Tale Heart'. Coming soon: Mike Keane's track-by-track breakdown of the album and the stories behind its making.

"I have learned that we do nothing 'alone' nor are we ever rarely alone, we just don't know how to recognise that which constantly watches over us. All we need to do is wake up to the possibilities and unchain our minds". Mike Keane, 2.49pm, 4th February 2004, Liverpool, England.



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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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