24 May 2004
An article by Ian Herbert for The Independent newspaper details plans for a new museum to celebrate Manchester's fine music heritage.

He writes: "The museum will mark the city's place as a classical music mecca in the 1860s, show off relics from its 250 1960s beat clubs (more than any other city in the world, including Liverpool), its thriving 1940s jazz scene and - perhaps the finest of all - the Madchester days of the Happy Mondays, New Order and Factory Records.

A site for the museum has not yet been chosen but the company established to create it, 100% Cotton, is aiming for one of Manchester or Salford's iconic red-brick hotel buildings. The Heritage Lottery Fund is understood to be positive about contributing towards the venue's creation."

Read the full article here.

Labels: , , , ,


Post a Comment

<< Home

- - - -

Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column