23 Jun 2004
Last year The Durutti Column wrote the music for and played live at an exclusive series of performances at Glasgow's The Tramway. The performance was entitled 'The Treatise on the Steppewolf'. There were only two newspaper reviews of the show and unfortunately the only one Cerysmatic Factory has had posted for the last year has been the negative one! At long last then, here is the positive review, from the Herald.

Incidentally, the Steppenwolf show was written and directed by Gerard McInulty aka Caesar from The Wake (and now The Portal).

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column