28 Oct 2005
Rockin' Rochdale Review 
Though Manchester's contribution to the history of British music is well documented, many of the defining events actually happened in the outlying towns and cities that make up the urban conurbation sprawl that is modern Manchester.

Rockin' Rochdale, an exhibition in the excellent new Touchstones Gallery in Rochdale's centre, highlights the variety of ways the Dale has itself contributed to Manchester's rich musical heritage - from the brass and big band eras through Gracie Fields and Deeply Vale to Tractor and Cargo Studios.

Several hundred guests, including members of Tractor, Wilful Damage and Fast Cars, an appearance by local producer / engineer John Brierley and guitar maker extraordinaire Brian Eastwood, attended the preview last week (20 October 2005) at which the Lord Mayor of Rochdale formally opened the exhibition - assisted by Milnrow resident rocker Clint Boon with a plea that the hallowed ground of nearby Cargo Studios (vacant for several years) be purchased by Rochdale Council as a permenant space. Well, somebody should.

Photo gallery.

The exhibition continues until 23 April 2006

Rochdale bands Tractor, Pie and Wilful Damage play a one-off celebration at the Gracie Fields Theatre on Friday 2 December 2005.


Thanks to OMMCR and Chris Hewitt.


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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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