8 Sep 2006
Peter Saville on the Banksy / Paris Hilton cd sabotage 
Cerysmatic never thought it would see the day when Paris Hilton and Peter Saville would be mentioned in the same news story but Saville was one of those asked to comment on Banksy's latest work (a satirical reworking of the cover of Hilton's new album) by The Sunday Times. Casting some doubts on the authenticity of and the reasoning behind the work Saville said "I haven't seen the actual doctored CD myself but someone I know has, and they said they thought it looks a bit too clever to be a genuine anarchic intervention."


Post a Comment

<< Home

- - - -

Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column