19 Mar 2007
The Hood revealed 
Not much is known about The Hood. They recorded material for the Salvation! movie soundtrack which appeared on the Factory Australasia-only FACT 182 album and also on the FAC 182 12" single. Both were released in 1987. The 12" single was also available as part of a 4x12" white label promo set in a custom-printed clear plastic sleeve (includes FAC 169, FAC 182, FAC 196 & FAC 197), and it was also available as a single white label test pressing.

John Hood fills Cerysmatic in with a few other details:

"The Hood was first with Sire, then PVC/JEM, Crepuscule, Factory and Giant/Dutch East. The FAC stuff was all for Salvation, including a 12" and the soundtrack, all of which were produced by Arthur Baker. The non-FAC stuff (Cooler Than Thou LP & 12" & Tough Guys Don't Dance 12") was all produced by Ivan Ivan, with contributions from Roli Mosimann, and a remix by John Robie. Anna Domino, the dame responsible for the name, sings on and covers Stand Apart."

Check out what The Hood is up to now with the following URLs:



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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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