27 May 2007
Painting The Summer: Henri Fantin-Latour 
From yorkartgallery.org.uk:

"The French artist Henri Fantin-Latour is best known for his paintings of flowers, but he also painted portraits and 'subjects of the imagination'.

Although friendly with many of the Impressionist painters, Fantin-Latour considered himself a Realist and preferred to exhibit at the Salon rather than with the Impressionists.

This show bring together pictures from our own collection with loans from the National Gallery, Tate, Victoria & Albert Museum and local galleries to explore his intimate style."

Factory fans will of course know Fantin-Latour for Peter Saville's use of one his flower paintings on the cover of FACT 75 Power, Corruption and Lies in 1983 (a fact which is acknowledged in the York Art Gallery's Fantin Facts).


26 May - 23 September, 2007
York Art Gallery
Exhibition Square

Tel: 01904 687687


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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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