19 Jan 2009
New Haçienda book project: help wanted 
Jimmy Batista, in association with French publisher Camion Blanc has a new book on FAC 51 The Haçienda slated for around the end of this year.

With the working title FAC OFF, it will focus on the heydays of the Haçienda and the Madchester scene.

They need your contributions in the form of:

- People who could provide original pictures (from anything Haçienda and Madchester-related including bands, DJs, fans, nightlife and the like)

- People who could provide scans or hi-res pictures of flyers, posters and any kind of Haçienda, Factory, Dry Bar and Madchester memorabilia

- People who worked or were serious regulars at the Haçienda, or just people who lived through the whole thing and have any interesting story to tell, for interviews.

If you would like to participate please contact fac.off@hotmail.fr.

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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