20 Mar 2010
Exhibition on Heywood's musical legacy 
The Music Artefact Exhibition featuring Joy Division and John Peel related artefacts is back at Heywood Library foyer for around six weeks. Admission is totally free.

The exhibition covers the links between recording studios in Heywood and Rochdale recording studios, Joy Division and John Peel is back in the foyer of Heywood Library foyer by popular demand. It was originally opened by Peter Hook and Chris Hewitt on 23 September 2009 on the day of the unveiling of two new music blue plaques. The exhibition could only run until early November owing to prior commitments by the library display area.

But now it is back for another six weeks and includes exhibits about the musical heritage of Heywood and Rochdale, links to John Peel and Joy Division (including equipment used by them and Martin Hannett), the history of the Seven Stars as a music venue, other local rock groups, Wigwam Acoustics, the Imaginary record label, Deeply Vale Festivals and much more.

Heywood Library
Church Street
OL10 1LL

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column