17 Apr 2010
Stephin Merritt's Strange Powers 
From houseoftomorrow.com:

Strange Powers: Stephin Merritt and the Magnetic Fields, a documentary film by Kerthy Fix and Gail O'Hara, is making the rounds of the film festival circuit in the US and overseas.

After its world premiere at the SXSW Film Festival, the film has screened at the Full Frame Documentary Film Festival, the Florida Film Festival, and the Buenos Aires Festival of Independent Cinema.

The film will soon be screening at the Hot Docs festival in Toronto, the Independent Film Festival Boston, and at a special event at New York's Bell House. The Bell House screening, the official New York premiere, will be preceded by a live performance from the band's own Claudia Gonson.

For more information on these upcoming events please visit the following websites:

April 25 - Boston
8th Annual Independent Film Festival Boston @ The Brattle Theater
** Including Q&A with Claudia Gonson

6/7 May
Hot Docs

10 May
New York
Brooklyn Arts Council @ The Bell House ** With special live performance by Claudia Gonson

For more info on the film available at the Official Website and on Facebook

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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