24 Sep 2010
Did the (current) custodians of the Factory marque really put on a night 'welcoming' this year's influx of students to Manchester last weekend and call it FAC A Fresher?



Anonymous o51 said...

Indeed they did. I can't stress how unimaginative I believe the Tokyo Industries "Marketing" staff to be.

25/09/2010, 02:04

Anonymous Aaron said...

very unfortunate... this was a private hire event for a student halls company, it was 'supposed' to be closed event for their returning freshers... we knew nothing of their chosen name until we got the eFlyer mistakingly sent out through our system. Berzerk is not a strong enough word for our reaction.

Not a look were proud off...
Tighter control needed... sorry : (

Aaron Fac251

25/09/2010, 10:47

Anonymous delboy said...

Crikey, all this factory mangling and pushing it in the kids faces , should make them gag alright...

28/09/2010, 11:58

Anonymous Anonymous said...

Only to be expected from a venue happy to put on "classy" entertainment such as this:

A million miles from the original ethos, aesthetic of vision of Tony Wilson, Peter Saville, Alan Erasmus, Rob Gretton and Martin Hannett. A Fac-ing insult to them all.

30/09/2010, 23:59

Anonymous j the el... said...

i thought is was hilarious - and arrived full of hope...

04/10/2010, 13:07


Post a Comment

<< Home

- - - -

Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column