11 Jun 2011
Coffee, no table 
In the shadow of the great URBIS glass elephant - scene of several overpriced, over-designed, over-marketed, Factory-related exhibitions - a self-employed builder from Chadderton puts on a 1500 quid display of his personal record collection in a room above a pub and steals the show.

Colin Gibbins' 'Factory Records World First Exhibition in the Music Medium' which ran at the Ducie Bridge on 7-8 May reminded us that for all the high ideals, high art and high concept hi-fi, Factory Records relied on one very valuable, and oft-overlooked resource: the punter.

Arranged almost as a record (Peddlar) shop homage - with every vertical surface covered in hanging plastic vinyl wallets - each Factory release was on show, many complete with their duplicate formats and covers: snakeskin, cardboard, sandpaper.

No index cards, explanations nor intellectualisation, no counting nor box ticking: this was Factory with feet firmly on the ground rather than nose in the air.

A working class jewel in the belly of the increasingly middle-class beast.

[Better late than never!]

Labels: ,


Anonymous Anonymous said...

it want complete,its was ok

12/06/2011, 00:58

Anonymous Urbis said...

£3 was over-priced for an exhibition?

Hooky shouldn't charge so much!

13/06/2011, 12:28

Anonymous Anonymous said...

went to Urbis exhibits, & enjoyed them, but the thought of one with collectors in mind with the intimacy of peddler REALLY appeals, so sorry I missed it

14/06/2011, 17:09

Anonymous Bill said...

With regard to the first comment,Capital I, I assume you meant wasn't, note the apostrophe, also there is a break between comma and next word and it's also has an apostrophe and the context you used here doesn't really make any sense. I know i'm being pedantic but did you actually take in the relevance of the history you were actually viewing ?

04/07/2011, 00:26

Anonymous Anonymous said...

It was missing fac 376 which he now has in both formats sent by the artist piers adams to colin

29/01/2012, 17:18


Post a Comment

<< Home

- - - -

Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column