24 May 2012
Section 25 FACT 90 From The Hip vinyl issue 
Factory Records Ltd (the resurrected imprint via LTM) releases a new double vinyl edition of Section 25's 1984 landmark album From The Hip on 28 May. The album, produced by Bernard Sumner, combined smooth synthpop with seamless electro beats. This new version features digitally re-mastered audio, with the original FACT 90 album on a single LP plus a bonus 12" single with two versions of seminal single FAC 108 Looking From A Hilltop. The 8-minute proto-techno Megamix version was edited and mixed by Sumner and Donald Johnson of ACR, and later sampled by both Orbital and The Shamen. The flip features Stephen Morris's (New Order/The Other Two) 2010 remix.

Peter Saville has 'digitally remastered' his original cover design with help from Matthew Robertson and Idea Digital.


Disc 1

1. The Process
2. Looking From A Hilltop
3. Reflection
4. Prepare To Live
5. Program For Light
6. Desert
7. Beneath The Blade
8. Inspiration

Disc 2

1. Looking From A Hilltop (Megamix)
2. Looking From A Hilltop (Stephen Morris Mix)

Although original vocalists Larry and Jenny Cassidy have sadly passed away, Section 25 continue to perform and record in 2012 with work on a new album ongoing. Fronted by founder member Vin Cassidy, along with Beth Cassidy (daughter of Larry and Jenny) on vocals and keyboards they are joined by Steven Stringer on guitar and keyboards & Stuart Hill on keyboards. The band brings their retro-futurism to selected live dates throughout 2012:

29 May - Leadmill, Sheffield (with Peter Hook and The Light)
1 June - Islington 02 Academy, London (with Peter Hook and The Light)
1 July - DV8 Festival, York
25 Oct - Band On The Wall, Manchester (co-headlining with X-O-Dus)
10 Nov - Wroclaw Festival, Poland

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

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