22 Dec 2012
A Factory Redevelopment 
Welcome to the new Cerysmatic Factory, the culmination of a 2-year design and programming project to expand and improve the site.

The Forum is suspended due to technical reasons (mainly because reprogramming it for the new site while the old site was live was a step too far).

My thanks to Iain Ashworth for technogeekery, Steven Hankinson for original design inspiration and Mark Holt for confirming that it's ok to design occasionally using Excel.

A more detailed rundown of the enhancements and changes will follow on the Updates channel on the News page.



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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column