3 Sep 2003
The Peter Saville Talk 
Went to the Design Museum tonight for The Peter Saville Talk. Met David Sultan from WorldInMotion.Net, Agent King from BitingTongues.com, Andrew and Matthew from Australia.

As Mr Saville had already given one talk last week (an extra one arranged after the first one but occurring before the first one, if you understand what I mean) he decided not to do a formal lecture but held a question and answer session instead.

Many great analyses, explanations and anecdotes ensued, too many to go into here - you'll have to wait for the full breakdown - but suffice to say that it will mention Trevor Key Letrasetting the back cover of Tubular Bells, "spooky typographical obsessives", Yohji Yamamoto, "Spice Girls Syndrome" and Kraftwerk. Coming soon.



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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column