27 Oct 2003
Bango Bango, Quando Quango 
Not it's not cockney rhyming slang but a slight continuation to an earlier thread.

First the Bango: Another great track played by The Unabombers at Fabric was 'Bango Bango' by Todd Terry from the album 'To The Batmobile Let's Go'.

And now the Quango: A 13 January 2003 new release announcement by Piccadilly Records in Manchester stated this about that Love Tempo remix.

"Quando Quango / Night Moves : Love Tempo / Transdance - 12" £7.99 - Benelux Records: 210-002. This US booty 12" from new label 'Benelux' features a couple of beauties for retro-future beat hunters. 1983's "Love Tempo" by Quando Quango was a Factory classic from Mike Pickering and Hillegonda Rietveld, so beloved by Larry Levan that it led to them playing live at the Paradise Garage that same year!

Night Moves "Transdance" was a New Wave piece of disco from the same year that earned much underground play in NYC and the fledgling house scene in Chicago. It's not too difficult to sense the influences these tracks have over Metro Area today."

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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