21 Dec 2003
Drink Leningrad Dry 
Congratulations to City Life magazine on their 20th Birthday! Their commemorative issue (with Noel Gallagher cover) features various retrospective articles and awards including The Citizen's 'Two Decades of Mischief'. He mused in December 1991 that "the increasingly hirsute Anthony H Wilson is thinking of expanding the Factory empire by getting into Eastern Europe. One of his ideas is to open a Dry Bar in Leningrad, just one of Manchester's seven twin cities."

The same issue also speculates on the best Manchester single from the same 20-year period. Factory entries include Joy Division's 'Love Will Tear Us Apart', New Order's 'Blue Monday' and Happy Mondays' 24 Hour Party People. You can vote for your favourite at www.citylife.co.uk.

Finally, in clubbing, 'Wet' a Hacienda event at a swimming pool in Hathersage Road baths in November 1988 is lovingly remembered.

That's enough City Life / Factory reminiscences.

Labels: , , ,

0 Comments:

Post a Comment

<< Home



- - - -


Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column