10 Jan 2004
Scoop on Skopos 
According to his official website, Wim Mertens has just released a new album entitled Skopos (a Greek word which means, 'reach', 'range', 'hitting the target', or 'a musical line that is followed by the melody') and has a February 2004 tour of Belgium on the blocks.

Full details of the Première Belgian Tour Skopos by the Wim Mertens Ensemble:
Thursday/Friday 12/13 February - Stadsschouwburg, Leuven
Sunday 16 May - Stadsschouwburg, Kortrijk

Wim Mertens' recordings for Factory Records comprised the Fact 190(c) Educes Me and the Fact 195 Belly Of An Architect Soundtrack. His complete discography lists 46 (count 'em) albums in a career spanning more than twenty years!



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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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