2 Feb 2004
Iconoclastic 
Thanks to OMNY for spotting this "Buy It Now" eBay item which is a 2000 limited edition art catalogue by Iconoclast Editions of Ed Templeton's recent show "The Prevailing Nothing", at the Roberts & Tilton gallery in Los Angeles.

It's only USD 10 plus shipping (regular USD 3.00, to the UK, USD 8.00). The short biography on the sale page actually mentions his past work for Factory Records (Hopper's sleeves on Factory Too) which is more often than not overlooked.

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column