8 Feb 2004
Industrial Fantasy 
Industrial Fantasy in Pigeon Blue, Poppy, RAF Blue, Aztec Gold, Salmon Red, Black, Aluminium, Pale Gold, Goose Grey, Signal Red & Light Orange.

Did you know that the stage covered 72.25 square metres and there was 43km of hard wiring in Fac 51 The Hacienda?

In its early days the Hacienda was membership only due to licensing restrications and prospective members had to fill out the application form to get their coveted membership card.

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column