24 Feb 2004
Together 
Jonathon Donaghy and Suddi Raval were Together who famously had a number 12 UK hit with the legendary dance track 'Hardcore Uproar'. In a slight change of direction they worked with The Durutti Column on a remix of Contra-Indications from the Obey The Time album which was released as Fac 284 The Together Mix in February 1991. Tragically Jon and his girlfried Emma were both killed in an road accident on Ibiza. There was a special evening in their memory at the Haçienda called Harmony.

Suddi takes up the story for Cerysmatic Factory: "Emma was killed in the same accident that killed Jon who was my best mate. Well, she did the vocals on the Durutti track that are described as "Suzanne Vega" style in the Mix Mag review. Something else that very few people know is that the remix is actually unfinished. We were meant to finished it after we came back from Ibiza but as you know Jon and his girlfriend died and we were never able. Tol Wilson and Vini Reilly liked the track so much that they wanted to put it out how it was, to me unfinished but to them, being the artistic people they are "unique"."

Suddi now makes "music and sound effects for most types of media out there". The Together Mix is available for download from Suddi's website - www.suddi.com.

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column