26 May 2004
Converted 
Tony Wilson's Manchester converted printing press loft apartment in Manchester features in BBC Three's new six-part design and architecture series Inner Spaces. The series promises to take a look at the homes of "six design-conscious celebrities". Tony shares his architectural and interior design thoughts with presenter Lucy Jules. No doubt you will also be able to see his enormous collection of Factory posters, some of which can be seen in this interview which coincided with the release of 24 Hour Party People.

Of course Tony Wilson had a concept (which was given the Factory catalogue number Fac 101) for lofts way back in the Eighties. According to Wilson "We were visionary in that sense, that lofts would come one day. But we ran out of money - we were too busy with clubs and bars. We tried to explain lofts to people in Manchester and nobody understood it. We actually walked the Manchester Development corporation around a building in Sackville Street, which became lofts ten years later, and said 'These would make great lofts' and they went 'What are lofts?'"

With thanks to Conor and OMNY for suggestion and inspiration respectively.

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column