26 May 2004
Converted 
Tony Wilson's Manchester converted printing press loft apartment in Manchester features in BBC Three's new six-part design and architecture series Inner Spaces. The series promises to take a look at the homes of "six design-conscious celebrities". Tony shares his architectural and interior design thoughts with presenter Lucy Jules. No doubt you will also be able to see his enormous collection of Factory posters, some of which can be seen in this interview which coincided with the release of 24 Hour Party People.

Of course Tony Wilson had a concept (which was given the Factory catalogue number Fac 101) for lofts way back in the Eighties. According to Wilson "We were visionary in that sense, that lofts would come one day. But we ran out of money - we were too busy with clubs and bars. We tried to explain lofts to people in Manchester and nobody understood it. We actually walked the Manchester Development corporation around a building in Sackville Street, which became lofts ten years later, and said 'These would make great lofts' and they went 'What are lofts?'"

With thanks to Conor and OMNY for suggestion and inspiration respectively.

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column