15 May 2004
Living in another world 
Last Saturday 8 May The Durutti Column appeared on Marc Riley's Rocket Science show, chatting briefly and playing two tracks: Guitar Woman (aka Sealine, apparently) and Requiem For My Mother.

During the band's own introductions Keir Stewart said that he played with The Durutti Column rather than being a member of the band, Bruce said "when the beat goes wrong, it's me going wrong" and Vini said "Thanks very much" but strongly object to Marc Riley's "You're Manchester's answer to Robert Fripp aren't you?". Vini's answer was "That's awful!"

Before the second number ('Requiem For My Mother' "It's a rock out tune"), discussion turned to the coffee and herbal tea ("excellent"), The Fall (Keir was a member for 4 gigs, Marc Riley for a bit longer), Factory Records ("the musicians owned their own music") and Morrissey (Vini - "We're still friends").

The live stream of the show is set to disappear from the Rocket Science page on 6 Music website so this is your last opportunity to listen.

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column