15 May 2004
Lone Ryder 
More details on the May 2004 edition of Grafik (the "Journal of the best in international design") which centres on design in The North. There's a small feature on Central Station Design, talking about Amateur Night In The Big Top / Clowns & Pet Sounds: "Things have been tough for Shaun Ryder since record company legal battles plunged him into penury. Not one to let the bastards get him down, however, Ryder is back with a solo project, Clowns & Pet Sounds, with cover art by Central Station Design (also responsible for Happy Mondays and Black Grape covers).

"The original idea for Clowns & Pet Sounds (or Amateur Night In The Big Top if you will) came from Shaun saying that he hated his future being in the hands of clowns in suits", Matt Carroll of Central Station says. "I came across an article saying that in 1936 The Daily Herald dismissed Hitler as nothing more than a clown. I loved the idea of the most evil man on the planet being mistaken for a clown." And lo, another unforgettable cover was born."

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

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