13 Jun 2004
Archived 
Due to popular request here is a link to the old Durutti Column page on the Fac 2.07 Factory website courtesy of our friends at the Wayback Machine. The page includes info on the (aborted) launched of the Kiss of Def single, the Sex and Death CD-ROM and "some small files to spruce up your desktop" including short .wav sound samples of Vini's guitar.

You may say "hey, what about Space Monkeys and Hopper and the Sixths!?", in which case here's a link to the generic Wayback page containing all the archived versions of the whole site. This contains (at the moment) the various updated versions from Dec 96 to July 97.

Thanks to Bruce (not THE Bruce) for inspiration.

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column