11 Jun 2004
Pop pays better 
The Magnetic Fields kicked off their sold out 3-night sojourn at The Lyric in Hammersmith on Thursday and continue on through to Saturday. The HouseOfTomorrow.com has news of forthcoming dates in the USA. The newly-revised schedule is:


24: Minneapolis, MN: Pantages Theatre
25-27: Chicago, IL: Old Town School of Folk Music (Two shows Sat and Sun)
29: St. Louis, MO: The Pageant
30: Columbus, OH: Wexner Center for the Arts


1: Detroit, MI: Theater at Second City
2: Toronto, Ontario: Trinity Saint Paul's United Church
17: Los Angeles, CA: Wilshire Ebell Theatre
19/20: San Francisco, CA: Palace of Fine Arts Theatre

The site also contains a profile of the The 6ths ("every lisper's nightmare"!) which features a revealing connection with Momus, whose 'The History of Sexual Jealousy Parts 17-24' from the Creation Records compilation Doing It For The Kids is a personal favourite.

Finally, there's an interview with the multi-talented, multi-group (Magnetic Fields, The 6ths, Future Bible Heroes, The Gothic Archies) and, apparently, slightly reticent, Stephin Merritt in The Independent online edition from back in May.

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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