4 Sep 2004
Death in the Afternoon 
VODKA: BLACK RUSSIAN; Vodka, Tia Maria, Coke HARVEY WALLBANGER; Vodka, Orange Juice, Galliano BLUE LAGOON; Vodka, Blue Curacao, Lemonade. GIN SINGAPORE SLING; Gin, Cherry Brandy, Lemon & Sugar SLOE COMFORTABLE SCREW; Sloe Gin, Southern Comfort, Orange. WHISKY: SCARLET O'HARA; Southern Comfort, Apricot Brandy, Lime. MANHATTAN; Rye, Sweet/Dry Martini & Bitters. TOM COLLINS; 2 Whisky, and B/lemon. TEQUILA: Marguerita; Tequila, Cointreau, Lemon, Salted Rim. TEQUILA SUNRISE; Tequila, Orange Juice, Grenadine. MEXICAN RED; Tequila, Vodka, Red Wine. BRANDY BOSOM CARESSER; Brandy, Grand Marnier, Grenadine. KNOCKOUT DROP; Brandy, Drambuie, Lemonade. RUM JAMAICA INN; Bacardi, Creme-de-Banane, Orange Juice. RUM PUNCH; Rum, Brandy, Lemon and Soda. PASTIS CLOCKWORK ORANGE; Ricard, Cointreau, Orange Juice, Grenadine LIQUEUR GOLDEN CADILLAC; Cointreau, Creme-de-Cacao, Galliano, Orange Juice. OLD FASHIONED; Benedictine, Cointreau, Lemon Juice, Bitters SOUTHERN DAZE; Southern Comfort, Cointreau, Orange Juice. SNOWBALL; Advocaat, Lime, Lemonade. FRESH CREAM ALEXANDRE; Cream, Brandy, Creme-de-Cacao GRASSHOPPER; Cream, Brandy, Creme-de-Menthe SATIN SLIPPER; Cream, Blue Curacao, Vodka, Cointreau PINA COLADA; Cream, Bacardi, Pineapple, Coco-Ribe AMERICAN PIE; Cream, Cherry Brandy, Vodka WINE: Red and White Wine, Lime and Lemonade. BUCKS FIZZLE; Orange Juice and Sparkling Wine. KILLER COCKTAILS KILLER ZOMBIE; Rum, Vodka, Apricot Brandy, Lemon, Pineapple. ZERO HOUR; Brandy, Apricot Brandy, Creme-de-Menthe, Pernod. DEATH IN THE AFTERNOON; Pernod, Jim Beam, Sparkling Wine MOLOTOV; Petrol, Rag, Milk Bottle. JUMPING JACK FLASH; Amphetamines & Barbiturates

The Gay Traitor for Cocktails. Perfect for a late summer afternoon.

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

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