21 Sep 2004
The Guitar 
More DC news (as Cerysmatic catches up after a 5-day road trip) with the tracklisting from the 2-CD 'The Best of The Durutti Column'. The album was planned to go on sale at that gig but in true Factory style a last minute glitch meant that this was not possible. Amazon.co.uk is selling it for a very respectable £10.99 and their site shows the artwork which is similar to the recent flyer for the Bridgewater Hall gig, featuring as it does, Rachel McFarlane's photo of the bare-torsoed Vini Reilly. Here are the tracks that made it to the final listing:

Disc one

1. Sketch For Summer
2. Conduct
3. Sketch For Winter
4. Lips That Would Kiss
5. For Belgian Friends
6. Danny
7. Never Known
8. Jacqueline
9. The Missing Boy
10. Prayer
11. Spent Time
12. Without Mercy 1
13. Without Mercy 2
14. The Room
15. Tomorrow
16. LFO Mod

Disc two

1. What Is It To Me (Woman)
2. Otis
3. Requiem Again
4. Home
5. Contra Indications
6. People's Pleasure Park
7. My Irascible Friend
8. Fado
9. Sing To Me
10. Pigeon
11. Mello (Part 1)
12. Falling
13. Woman
14. Requiem For Mother

Title: The Best of The Durutti Column
Label: Warner
Catalogue number: 5046753932
Release date: 11 October 2004

Thanks to Phil Jones and Gavin.

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column