18 Oct 2004
Get Loaded Presents 
On Thursday 4 November 2004, "An Audience with Shaun Ryder and Tony Wilson" followed by DJ sets from Shaun Ryder (Happy Mondays), Tony Wilson (Factory Records / Hacienda), Peter Hook (New Order), Clint Boon (Inspiral Carpets), Shaun Keaveny (XFM) and Kav (Sonic Audio / Happy Mondays).

Shaun 'n' Tony will be on stage from 7.30–8.30pm, answering questions from the audience and having a general debate about all things music, plus reflecting back on the heady days of the Happy Mondays in their prime, Factory Records, the Hacienda, 24 Four Hour Party People the film and alike. You can send in your questions in advance.

XFM's Shaun Keaveny presides before Kav kicks off the indie/dance/northern soul/funk/breaks soundtracks behind the decks from 8.30pm.

Following on from his opening appearance, Tony Wilson will be spinning his all time Top 20 tunes. He likens the experience to "being your personal iPod for the evening, carefully selecting and programming a series of music into a particular order to make people dance".

Shaun Ryder / Shaun Keaveny, New Order's Peter Hook, Inspiral Carpets man Clint Boon and complete the DJ line-up.

Get Loaded
Turnmills
Thursday 4 November
8.30pm - 3am
5 / 4 (NUS) Entry
2-4-1s at the bar (7.30-10pm)

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column