4 Nov 2004
The Gay Traitor 
Guest DJs at the Beautiful 2000 night at Fac 51 The Hacienda in the early 90s included people like John McCready, Manchester's favourite quizmaster (shurely shome mishtake, Ed.) Elliott Eastwick and Matt 'n' Pat from Central Station Design.

Matt recalls how they got the gig: "SO yeah this was a night me and our Pat were asked to do by Paul Cons AFTER he had heard about a night me and Pat played records at Polar's Bar (Swan Street, near the old Record Peddler, now Bar Fringe) in Ancoats, run by one of our mates: Lee Pickering (no relation to Mike). On the night we played everything from X-Ray Spex, The Ramones and Sex Pistols to George Formby, plus "Saturday afternoon who do we watch? .... IT'S U-NITED", an old Man Utd football team song from the 70s plus some old 78s records like Tommy Steele's Singing the Blues, and Winifred Atwell's 'Piano Boogie'. It was a packed night!"

Check out the new David Knopov pages in the Designers section. David did the graphic identity for Beautiful 2000 (although on a week-by-week basis Rebecca Goodwin and Murray Healy handled duties) and also designed covers for The Wendys.

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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