18 Mar 2005
The F4 Records catalogue numbers 
How to follow the legendary system of Fac numbers used by Factory Communications, Factory Too and (albeit minimally) Factory Records Limited? That was the task facing F4 Records when launching late last year.

The first release, 'Switch / Ego' by RAW-T, was given the number R1 M15. And this is why:

'R' is the generic prefix for releases, so items will be numbered consecutively R1, R2, etc. The suffix M15 is an artist identifier which is derived from postcode associated with the artist in question. With RAW-T, it's M15 which covers part of the inner city including Hulme.

The first release by The Young Offenders Institute has been assigned the catalogue number R6 M40 with the M40 suffix relating to the Collyhurst area of Manchester from where the band hail.

At the moment there are no plans to assign catalogue numbers to other items such as the F4 badge and the digital releases from the F4 Download Shop but doing this retrospectively has not been ruled out.

--

Thanks to Tom @ F4 for info and OMNY for instigation.

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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