22 Mar 2005
The Return of the Majestic 
The unreleased 'remix' album of 2003's Amateur Night In The Big Top album entitled 'The Return of the Majestic' is quite a revelation, being a poppier, more instantly accessible version of Clowns and Pet Sounds (with a few new surprises thrown in for good measure)


Confessions of the Money
Perfect People With Brittle Bones
A Talent For Runaway Razorblades
Soldier Blues
Wham Bam Zap Pow
Johnny Wrote Songs About Murder
The Heebie Jeebies
All I Really Wanna Do
Got The Talent For Dancin

[promo only on Offworld Sounds]

Shaun Ryder and Bez can be seen in the new Peter Kay / Tony Christie 'Amarillo' video marching alongside the cream of British showbiz including Keith Harris, Orville, Bernie Clifton, Jim Bowen, Geoffrey and Bungle.



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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column