2 Apr 2005
C'est Nuits Sonores @ Les Subsistances 
Bienvenue a Cerysmatic Factory en francais (ou peut-etre franglais) en direct du festival Nuits Sonores a Lyon, en France! Hier soir c'etait l'exhibition du collectif Central Station Design @ Les Subsistances (8 bis, quai Saint-Vincent). On peut voyer les grandes images de 'Hello Playmates' (Bob Monkhouse, Ken Dodd, Barbara Windsor, Arthur Askey et Kenneth Williams), et aussi les posters et les pochettes de disques pour James, Happy Mondays, Black Grape, Northside. Il y avait un petit cinema avec une projection des titres du filme '24 Hour Party People'.

Aujourd'hui c'est 'Meeting Tony Wilson' a la Bibliotheque de la Part-Dieu.

Excusez-moi pour le ponctuation, mais les accents ne marches pas dans Blogger.

Salut Cecile et tous @ Arty Farty, Adrien (Disco Mobile), Alexandre, Matt et famille!

A demain!

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column