15 Apr 2005
Graham Massey / 808 State - Paradise Regained 
The same Record Collector that has the AHW interview also has an extensive feature by Stuart Aitken on 808 State including interviews with Graham Massey, Gerald Simpson (A Guy Called Gerald) and Aphex Twin (whose current Analord series of releases under the guise AFX is well worth checking out). Gerald explains how the 808 remixes of Blue Monday and Confusion came about: "Jon Da Silva wanted a theme tune for his Hot night so me and Graham thought of doing a New Order tune, because they were the management of the club basically. It wasn't going to be used as a record or anything, he wasn't going to press it up, it was just basically to be played on his Hot night. So we did versions of Confusion and Blue Monday."

Labels: ,


Post a Comment

<< Home

- - - -

Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column