20 May 2005
'I Remember Nothing - A Joy Division Video Night' 
Thanks to Ian for the following details of the video night in Blackburn:

After an initial introduction, Tony Wilson came in with his dog (a Weimaraner like the one in the Blue Monday 88 video) to say a few words. There then followed the first part was shown of the The Joy Division Film by Malcolm Whitehead (Fac 9). Other highlights included outtakes and actual Eindhoven / Manchester footage from 'Here Are The Young Men', live Granada TV clips, various interviews including ones with Ian Curtis, Martin Hannett and Rob Gretton, live performance from Plan K where Hook and Sumner swapped guitars and played Atrocity Exhibition, Bowdon Vale footage. As final bonuses there was the 7-minute short 'She's Lost Control' and the 'Love Will Tear Us Apart' promo.

Also for sale was the 'She's Lost Control' footage which came as a dvd in a seethrough case priced 5 pounds.

Ian says: "The night was great. A few sound problems where a wire came loose but apart from that a great night with lots of rare footage and interesting interviews. Would love to see this footage released officially." Here, here.

Time: 8pm for 8.30pm including a 15 min break. Finisshed about 10:30pm
Tickets: 5 pounds on door
Barzooka
70 Victoria Street
Blackburn BB1 6DN

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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