19 Jun 2005
Bill Drummond on the Leigh Festival in the OMM 
Bill Drummond (the author furthermore known as founding father of the JAMMS and the KLF) expounds on the legendary but very poorly attended Leigh Festival (Fac 15) in the Observer Music Monthly's timely article featuring celebrities recalling their festival experiences.

In this extract Bill recalls how it all started: "Ring, ring. I pick up the phone: 'Bill, is that you?' And before I had time to say yes, or no, or you've got the wrong number, he's off. It's always the same with Tony Wilson. 'I've got this idea, we do a festival, we call it Factory Meets Zoo Halfway. We have it halfway between Manchester and Liverpool. You bring your bands and I bring mine.' 'Whereabouts?' 'Leigh, I've got the field booked, staging, the PA and lights. It's going to be on ...' 'Who is going to promote it, Tony?' 'Don't worry Bill, people will come.'"

Yes, but sadly not many of them.

The same article also features Doves' Jimi Goodwin on his first festival experience which was Deeply Vale.

Is there ever an OMM that doesn't mention Joy Division...

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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