9 Jun 2005
Tony Wilson @ In The City Interactive 
There's an article by Joe Fay on illegal mp3 downloading on The Register. This issue is back in the spotlight again after the launch of a campaign to make parents more aware of what their children are downloading (legally and otherwise). In a debate at the In The City Interactive conference in London on Tuesday, Tony Wilson challenged the BPI on their tactics. He also made the amusing observation that "The perception is musicians like music, the record industry guys like money. The reality is the exact opposite musicians are penny pinching fuckers."

Thanks to C.

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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