14 Jul 2005
Ghosts of the Hacienda mesmerise Blackburn 
The Hacienda returned to Blackburn last night (some fifteen years since) with the first showing of various FAC51-themed videos from the ikon& archive at Barzooka. Dry/Hacienda Manager Leroy Richardson, Moist, ex-Smiths Mike Joyce and Andy Rourke, Bunnyman Will Sergeant and a hundred or so paying red rose guests witnessed live footage from a variety of early years Hac gigs.

Accompanying excerpts from original Factory acts New Order, ACR, James, Marcel King and (opening night guests) ESG were clips that reflected the true diversity of those largely forgotten or ignored pre-acid house years : Gregory Isaacs, Virgin Prunes, Orange Juice, William Burroughs, Echo & the Bunnymen and The Smiths. Completing the picture were home videos of the Hacienda as construction site, an interview with VJ Claude Bessy and an unseen ikon video christmas card featuring that famous situationist puppeteer combo Harry Corbett and, er, Sooty.

Plans are afoot to take the show on the road to Manchester and Liverpool in the coming months (echoing the original ikon video 'tour' of the early eighties).

Full review to follow.


Thanks to OMMCR.

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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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