23 Feb 2006
Caroline True Records present The Prefects Live 
News from www.carolinetruerecords.co.uk


Ltd CD: Released Monday 27 February on Caroline True Records (CTRUE2)

"I will always remember that show: it's as Punk Rock as Nirvana at New York's Roseland ballroom in July 1993, when Kurt Cobain refused to play 'Smells Like Teen Spirit' and, to the roars of a hostile crowd, brought on a cello player and played Leadbelly songs." (Jon Savage on the Prefects live experience - sleeve notes 2005)

"Their music is as bleak, cynical and loveless as their personalities, with a perverse humour." (The NME Book Of Modern Music 1978)

The Prefects occupy a very special place in the rich heritage of UK punk and Post-Punk music. Guesting on the incendiary white-riot tour of 1977 with the Clash and the Subway Sect - the band were famously called "amateur wankers" by Clash manager Bernie Rhodes. Vocalist Robert Lloyd was asked to join Joy Division by Ian Curtis as a drummer! Indeed the Prefects were well respected by JD.

Their music was a melange of Krautrock, Beefheart, glam and the Pistols. All the things that PIL were to be later - the Prefects were there first - groundbreaking and unconsciously rewriting the rules.

Carpark records 2004 "Amateur Wankers" release collected together the 2 Peel sessions and some live odds and ends - to go with the posthumous Rough Trade 7" that was released after the split.

Now, February 2006 sees the long awaited release of a recently uncovered 1978 live set from the Co-Op Suite in Birmingham. Featuring all the classic Prefects moments, Faults, Barbarellas and Escort Girls, along with the addition of a live cover - Disco Stomp. A great live document, it's like being back there.

Exclusive liner notes by England's Dreaming / Time Travel / MOJO writer Jon Savage are included inside a special package. As he suggests: "Who'd have guessed that, in the 21st century, the Prefex would find their time."


Album available from: www.carolinetruerecords.co.uk



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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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