6 Feb 2006
FAC 481 - The making of Manchester 
The 27 January 2006 edition of Building magazine is the somewhat unlikely source for a completely new FAC number. However, Tony Wilson along with partner Yvette Livesey, have guest edited the magazine which carries the headline "Oh Manchester: A special issue of Building edited by Tony Wilson and Yvette Livesey and starring Britain's most dynamic city".

In the article 'The making of Manchester', architectural editor Martin Spring talks to AHW about his new role as a "regeneration adviser" and his plans for Manchester. The official Factory catalogue number FAC 481 has been assigned to the issue of the magazine. Further articles on how Manchester is evolving are entitled '24 Hour Construction City', 'Greater Expectations' and 'How It Used To Be'.

Read the full article on building.co.uk [free registration required]

Thanks to Martin Spring and to Blue's Blog for originally spotting.

Labels:

0 Comments:

Post a Comment

<< Home



- - - -


Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column