23 Feb 2006
Laurent Garnier's Electrochoc 
Hacienda Paris DJ, Dry kitchen staffer and now Techno superstar, Laurent Garnier has a new book out, in French, called 'Electrochoc'. With thanks to Ashiya for the translation from Amazon France here is the blurb on the book:

Editor's introduction

1987. Manchester: in an old warehouse converted into a club, music is about to live its last big revolution. Fifteen years later, techno has become a worldwide phenomenon. Its artists sell their albums by the million, and the "techno aesthetic" is ever-present in our cultural landscape. From the black ghettos - American until the worldwide explosion on the threshold of 2000 - Laurent Garnier recounts, through his experience and memories, the electronic saga: his key moments, leading players, secret stories, excess and issues. An essential player and privileged witness of the electronic adventure, he unveils for the first time the backstage goings on of the last odyssey of the century.

A DJ, musician and producer very involved in the middle of techno music since more than fifteen years recounts, through his memories and experiences, the evolution of this type of music and of the culture which surrounds it."

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

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