9 Jun 2006
The Death of Disco 
Kevin Hewick played Alan McGee's Death Disco at the Notting Hill Arts Club in London on Wednesday 7 June 2006. Alan unfortunately couldn't make this one but The Sessions and Movement (both good, the latter from Manchester) sandwiched an acoustic set from Kevin which the indie pop kids weren't quite expecting. Right from the start he battled against loud hubbub verging on shouting. The second song was barely underway when he stopped procedings and made a plea for some respect.

This made a noticeable difference and although the noise continued it didn't quite reach screaming level again. Nevertheless he played half a dozen great songs and got a good response from the people who were listening (and even, bizarrely, from some of the shouty ones). At one point he told the kids about the wall projections and how he tried to persuade Gaye Advert to take up the bass again after she'd given it up to work in a bookies, the time he hugged Joe Strummer and of seeing the original classic line-up of The Band in 1974. Ah, the irony.

The next time we see Mr Hewick he may be in Rehab.


The Art of Giving a Toss
Love's Old Dream
Complete My Incomplete



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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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