31 Aug 2006
Accentuated industrialism 
Anthony Wilson is selling his Manchester loft apartment which was designed by Ben Kelly.

The estate agent blurb describes it as "distributed over 3100 ft2. The epitome of Manchester's lofts: A true piece of urban heritage, defined as the original residential loft. Includes 2 x parking spaces. The epitome of Manchester's lofts. A true piece of urban heritage, defined as the original residential loft. This unique space has been created by legendary designer Ben Kelly, celebrated designer of the Haçienda night club and Dry Bar."

The asking price is GBP 950,000.



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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column