25 Aug 2006
'Control' filming at Great Central Railway 
From The Loughborough Echo 25/8/06, headline 'Film crew visits GCR to shoot cult movie scenes' (GCR is the Great Central Railway from Loughborough to Leicester, recently voted number 12 in a list of the 50 great railway journeys of the world:

"Filming for a new cult movie, based on the life of a 1970s post-punk legend, was brought to Loughborough's Great Central Railway this week. 'Control' is a new, highly anticipated film based on the life of the late Ian Curtis - ex-frontman of the legendary band Joy Division... This week it was Loughborough's turn to take centre stage and film crews headed straight to the Great Central Railway. A spokesman for the railway said: "We agreed to let them do the filming here and, initially, it was just to take a shot of two people walking down the station's stairs. But once they were here and had had a look around, they decided they wanted to incorporate more into it. In the end they made use of other parts of the platform and the trains too!""


Thanks to George for spotting.



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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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