27 Sep 2006
First Industrial 
As Manchester becomes a lot less military (new labour conference) and a little more Savillian, the man himself explains his 'original, modern' concept in this month's 'All About Manchester': "It's an artistic licence to first industrial. Manchester is the world's first industrial city. A chance conversation one night turned 'first industrial' into 'original modern'".
On that contraversial 'M' logo: "The M is based on parallel existences and their crossing points. But also, one day I saw the cranes across the skyline and I thought they looked like an M".
'All About Manchester' is a free 'monthly guide for visitors'. Unfortunately, as the publishers, Selini, have only four copies left from a run of 15,000, I am currently trying to find out where to get it from.
Original Modern is currently showing throughout Manchester city centre.

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column