10 Oct 2006
Manicured Noise's Northern Stories 1978-1980 
Manicured Noise 'Northern Stories 1978/80'
Released: 30 October 2006
Label: Caroline True Records

A first ever compilation gathering together almost all this eclectic and always (FAC 1) Factory related act - giving a clear insight into an otherwise hereto unknown missing link in the Manchester music jigsaw.

Album artwork reproduces Fac 1 with kind permission of Peter Saville and also features a great 8 page digi-pack with rare pics and extensive cover notes by Steven Walsh of Manicured Noise.

With the first few copies (100) there is a splendid A1 poster that features Jon Savage's late seventies / early 80's pics of Hulme in Manchester and album artwork.

Available now pre-distributor release as follows:

10.50 GBP inc P+P to UK and free poster from jkertland@yahoo.co.uk (Paypal, all enquiries to the same address) or via snail mail (with Cheque / Postal Order in GBP made payable to John Kertland) to:

Gravel Hill Farm
Shrewsbury
SY4 3HH
UK

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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