8 Oct 2006
Where are they now file 
When invited to guest edit cerysmatic I hit on the idea of proactively contacting various ex-Factory people - both obscure and well-known - to find out what they are up to nowadays and to ask a few questions. I thought it would make a nice feature - a one-per-day 'where are they now file'. So popular was this idea that nobody replied to any of my emails.

Except one person: A heavily jet-lagged Hooky, in between dj-ing and touring, replied at 4am Friday morning.

Cheers H - trooper as ever! If this guilt-trips other interviewees into replying I will pass them on to John for publication. Otherwise, adios, and I leave you with news of another set of bloody cassette tapes...

M: What are you up to nowadays?
H: DJing, playing in the group occasionally, writing the hacienda book, doing my first mix cd as a dj, quite a lot really. Then tryin to juggle that with looking after my family.

M: How different is stockbroker belt to Moston?
H: I don't think you have to ask that do you? It's nicer surroundings. I suppose the nice thing about success is you can give yourself more space. People aren't as near you so hence don't bug you as much. It's a lovely place to live but my mates wont eat round here. 5 quid for fish and chips!

M: Best Factory moment?
H: Release of Unknown Pleasures.

M: Worst?
H: Never being accounted to for any record sales.

M: I hear you're doing some of the soundtrack to 'Control', but you're not doing covers. Are you looking at something similar to the Peter Saville soundtrack?
H: Yes.

M: I was recently played a bit of Joy Division with someone playing sax. Was that you (there was no bass playing at the time)?
H: Send me a copy of that - maybe the bastards were tryin to get rid of me!

M: Have you got the Lavolta Lakota master tapes?
H: No master tapes but I have the master cassettes. Do you want them?

M: Do I owe you any money for them?
H: Thousands.

M: Mars Bars?
H: Yes. The small ones are better and I have great fondness after using b.m. for the advert!

M: Any plans to do anything with the Hacienda Classics website?
H: Not at the moment i've not got the time.

M: Finally, Factory Classical. Any regrets?
H: Add it to the list: the factory boat, the factory car, the factory buildings, ikon, all the foreign factorys: benelux, usa, zimbabwe, australia, poland, they all lost thousands!

But the most important thing is we're still here!

Peace an love hooky.

Ditto moist.

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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