26 Jan 2007
Wire's 60 Concerts That Shook The World 

Happy Mondays' gig at the Limelight, Belfast, in 1989 is listed amongst '60 Concerts that Shook the World' in this month's Wire (February 2007).

This is quite interesting given they are amongst a list of experimental / avant garde / non-commercial acts typical of the magazine e.g. The Aka Pygmies, Autechre, Ornette Coleman, Sun Ra etc. etc.

But then, strip away all the baggy hype, tabloid fodder, drug crap and the Mondays were very out there.

With thanks to Matthew Robertson.



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A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

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